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Reflections on 40 years of scraping by and thriving
“Briarpatch has always been a labour of love, and I believe that’s the key reason for the magazine’s unlikely success.”
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Briarpatch in photos
From curling bonspiels to baseball tournaments and fundraising dinners, we present a series of photos from the Briarpatch archives.
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Blaming Mr. Brierley
The first issue was photocopied in March or April 1971 at the Saskatoon Family Service Bureau (where I was working at the time) on one of the early machines that used rolls of that grey, waxy paper.
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40 years of Briarpatch
There are two schools of thought. One is that government should be neutral and provide funds for magazines. The other is that if you’re reliant on government for funding, chances are that you’ll back off from criticism, which we never did, and we paid the price.
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Letter from the editor
It was a brisk sunny day in November 2007 when I first bounded up the stairs at Huston House, the historic building in which Briarpatch makes its home, brimming with energy and ideas.
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Hierarchies of worthiness
In news coverage of violence, women are almost always portrayed as victims. Whether they are worthy, innocent victims in need of rescue (“virgins”), as in the case of Afghan women post-9/11, or unworthy, culpable victims to be ignored or incarcerated (“vamps”), as with Indigenous women in Canada, depends on their strategic value to the forces in power.
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Sanitizing Pride
With Toronto’s 31st annual Pride Parade fast approaching, the legacy of last year’s controversial attempted banning of the group Queers Against Israeli Apartheid from the Parade continues to resonate today.
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Empire of illusion
The theme of Pulitzer Prize-winning author Chris Hedges’ new book is pretty straightforward: no matter how you look at it, we’re hooped. “Our way of life is over” Hedges writes. “Our profligate consumption is finished. The good news, however, is that he looks at these desolate prospects from some awfully interesting perspectives, even if he is a bit short on solutions.
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Blanket condemnations
The burqa, chador or niqab (henceforth used interchangeably), a loose-fitting robe worn by some Muslim women that covers the body from head to toe, is one of the most powerful symbols of women’s subjugation under Islam. This garb is often presented as an existential threat to the West, capable of destabilizing the very foundations of our liberal democracies.
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Will write for food
It’s an unremarkable Tuesday evening in mid-October and I’ve just entered a second-floor meeting room at the Northern District Library in downtown Toronto. I’m feeling optimistic.
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Corporate crisis, community opportunity
After World War II, muckraking journalist Edward R. Murrow asked Dave Schoenbrun, a bright young interpreter at Allied Force Headquarters, what his post-war plans were. Schoenbrun expressed his desire to return to teaching high school French, to which Murrow responded: “Kid, how would you like the biggest classroom in the world?” To Murrow, the most renowned figure in U.S. broadcast journalism, education was the primary purpose of news reporting.
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Warlords to the left of me, druglords to the right
Malalai Joya, 29, is a popular women’s rights activist and an outspoken critic of the government of Hamid Karzai and the Northern Alliance.