
Grada Kilomba is an interdisciplinary artist and writer, born in Lisbon and living in Berlin. Her work draws on memory, trauma, race, gender, and the decolonisation of knowledge. She is the author of Plantation Memories and co-editor of Mythen, Masken und Subjekte (2005), an anthology on Critical Whiteness Studies.
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The ‘super strong Black woman’ and the silent suffering
Grada Kilomba writes about the thin line that Black women walk between the stereotypes of sub-human and super-human.